This major work by Pierre Vlerick, titled Tableau 21, is a refined example of Belgian Lyrical Abstraction from the 1960s. Created in 1962, this oil on panel illustrates the artist's most sought-after period, characterized by intense chromatic research where Bonnard's influence is seen in the vibrations of yellows, oranges, and touches of blue. The composition eschews the harshness of abstract expressionism in favor of a slow, organic construction, evoking an inner garden in metamorphosis.
Vlerick's technique is based on a layering of colored glazes, creating a luminous depth where plant forms and anthropomorphic contours are hinted at without being explicitly defined. The artist, often compared to Willem de Kooning for his metropolitan approach to the abstract landscape, maintains a European restraint here. The state of conservation is excellent, preserving the original vivacity of the pigments and the delicate texture of the brushwork that defines this pivotal period in his career.
The authenticity of the piece is confirmed by the Signature and Dating "P. Vlerick 1962" visible on the front, as well as a complete handwritten inscription on the reverse mentioning the title, the year, and the city of Ghent. For the discerning collector, this painting represents a rare opportunity to acquire a documented historical work, presented in its original period frame which enhances the elegance of the abstract composition.